[Dallas]—National Endowment for the Arts Acting Chairman Mary Anne Carter has approved more than $27 million in grants as part of the Arts Endowment’s first major funding announcement for the fiscal year 2019. Included in this announcement is an Art Works grant of $10,000 to Video Association of Dallas for Dallas VideoFest’s 32nd season. Art Works is the Arts Endowment’s principal grantmaking program. The agency received 1,605 Art Works applications for this round of grantmaking and will award 972 grants in this category.
“The arts enhance our communities and our lives, and we look forward to seeing these projects take place throughout the country, giving Americans opportunities to learn, to create, to heal, and to celebrate,” said Mary Anne Carter, acting chairman of the National Endowment for the Arts.
“The opportunities, which the receipt of the NEA grant will provide in expanding the outreach of VideoFest 32 to the community and serve our mission, are much valued and appreciated,” said Jeff Leuschel, board president of the Video Association of Dallas and Dallas VideoFest.
VideoFest (VideoFest.org) is now the oldest and largest video festival in the United States and continues to garner critical and popular acclaim. VideoFest prides itself on bringing films to the theater that are rarely available to be seen anywhere else. VideoFest has included screenings varying from cat videos to Expanded Cinema on the walls of the Downtown Dallas Omni Hotel. Films like Experimental/Art Films through its Dallas Medianale, Animation, Narrative and Documentary Shorts, as well as Documentary and Narrative Features and some hard-to-find Classic TV episodes and Classic Film including Silent Films are often in the mix.
MISSION OF DALLAS VIDEOFEST
The mission of the Dallas VideoFest is to promote an understanding of video as a creative medium and cultural force in our society and to support and advance the work of Texas artists working in video and the electronic arts. Dallas VideoFest is a 501(c)(3) organization incorporated on April 25, 1989, under Video Association of Dallas. It began in 1986 as a weekend event, “Video As A Creative Medium,” presented at the Dallas Museum of Art by independent curators, Barton Weiss and John Held.
That first event, which included two nights of video by selected local and national video artists, was a great popular success, which led to the founding of the Dallas Video Festival in 1987. Dallas VideoFest also presents the 24-Hour Video Race, North Texas Universities Film Festival, Dallas Medianale, Three Star Cinema, and other programs throughout the year.