Life is full of dualities, many of which push and pull A Fortunate Man’s Peter Andreas in
opposite directions. The clashes between science and faith, love and lust, the poor and the
rich, and autonomy versus authority are largely present throughout the film, leading
Andreas to dark places despite the opportunity to make his wildest dreams come true. His
ambition to become an engineer with revolutionary projects under his belt forces him to
experience life in tunnel vision, causing damage to almost everyone he encounters.
It’s reasonable—easy, even—for one to feel empathetic for Andreas because of how
blatantly his family dismisses him from the film’s beginning. It’s understandable why he
wants to escape his religious upbringing and low social class, all made unbearable by his
father, a clergyman who enforces a patriarchal household ruled by God. Most of all, it’s
clear how his childhood and the people around him influence him to act the way he does
and why he deceives people to promote his own agenda.
It does not, however, justify any of his actions.
“There are people who are drawn to disaster,” Andreas states near the end of the film. A
nod to the religious, he scorns those who view God as their source of liberation because, to
him, it’s a site of wishful thinking and hopelessness. In likening religion to disaster, he fails
to realize that disasters can appear unexpectedly and completely upend people’s lives,
much like he does. In trying to make his wind turbines and canal systems a reality, he
destroys marriages, tarnishes reputations, and perpetuates the same abandonment and
alienation that his family forced him to experience.
Throughout the film, Andreas views God as his worst enemy when, in reality, the true
culprit is his own pride. It’s the common factor of all his dualities and what unknowingly
causes him grief for much of the film. A Fortunate Man is a tragic portrait of Andreas’
unraveling. To follow him on his journey of trials and tribulations is to be in a constant
state of frustration because he does the exact opposite of what’s best for him, causing him
to spiral further and further.
Consequently, the film forces you to reflect on your own dualities with the hopes that your
life is more balanced than Andreas’ so as to avoid his unfortunate fate because—as it
goes—fortune favors fools.
Le Tang is a Filmmaker, Photographer, and Designer based in Dallas, TX. Having graduated from U.C. Santa Barbara with a Film and Media Studies B.A. she enjoys analyzing films and studying stills.
Le has a penchant for capturing the mundane with her camera and and bombarding people with questions about their life and craft.